Found a mini documentary about Priscilla. Quite useful for a wee bit of context and background. Also touches nicely on the actors approach and attitudes. It’s also only 6 and a bit minutes long. 🙂
Here’s the PQD document we’re currently using in class for revision (PDF). I’ll post a more detailed explanation/application for the exam process for you after we’ve been through it on Wednesday. In the meantime, if you recall how I was pulling apart/teasing out the Broken Hill bar (Shirley) scene, you should consider doing something similar with other important scenes in the film.
- Coober Pedy The drinking club (Adam after taking drugs)
- The First People (Aborigines) camp
- Kings Canyon
- The charades ‘picnic’
- Opening AND closing sequences
- Broken Hill (Shirley)
- Desert opera (Lyrics and explanation of relevance of the aria here Sempre Libera – for info, we only hear the first verse sung by Violetta)
There are, of course plenty of others you could look at. 🙂
Finally, there’s a really useful little synopsis and overview (short, but nothing wrong with that) that hints at the depth of the film. You can find it here: Curator’s Notes.
Almost forgot… click the pic for the full slides for Priscilla.
Obscure prog rock reference aside, I’ve just had a query about Institution and PQD.
Most of the information you need is on the slides, but for clarity, the most important things to remember are:
Hugo Weaving, Guy Pearce and Bill Hunter would appeal to the home Australian audience… (Incidentally, click through on the links, especially Bill Hunter’s as it’s an interview from 1994 so fits in nicely with society… and also how casting can work)
Get the casting right, you pull in an audience, your film makes money… or more importantly, your message gains an audience…
Production: What would have been the challenges of producing PQD? Especially at that point in history and against the prevailing social background (fear of AIDS, homosexuality was still frowned upon, and so forth)… would it have been easy to get the necessary finance for the film without the likes of Stamp/Hunter on board?
Look at the respective credits for the two main producers, Al Clark and Michael Hamlyn. One has a background in drama (including the critically acclaimed adaptation of 1984), the other is known for music videos… how might these backgrounds have helped producing PQD?
The production companies involved include the New South Wales Film & Television Office who have a specific remit to promote film-making and as such help subsidise ‘edgier’ subject matter.
Marketing: Look again at the 5 posters for the film included in the slides… can you see how each is designed to appeal to a different audience (mostly through the choice of anchorage — either quotes form reviews, or specific blurbs). This is all part of creating a ‘buzz’ around the film, and so encouraging people to want to go and see it.
Finally… read this Guardian article about the 20th Anniversary of Priscilla. It contains this rather useful paragraph that neatly sums up PQD’s main message and why the film was so important:
“That’s just what his country needs,” Bernadette scoffs. “A cock in a frock on a rock.” And, actually, that was just what the country needed: an intelligent and entertaining Australian film that embraces LGBT culture without turning turning a quintessentially personal story into an exercise in outrage-pedalling and button-pushing.
Being realistic, Institution is unlikely to be the stem for Q1, but if you swot up on the above, you would be able to tackle it if it did. 🙂
PPS: Check your spelling!
- Stephan Elliott
- The Adventures of Priscilla, Queen of the Desert (PQD)
PPPS: The aria is called Sempre Libera, it’s from Verdi’s La Traviata and the translation of the lyrics is as follows:
Free and aimless I frolic
From joy to joy,
Flowing along the surface
of life’s path as I please.
As the day is born,
Or as the day dies,
Happily I turn to the new delights
That make my spirit soar.
Love is a heartbeat throughout the universe,
the torment and delight of my heart.
Oh! Oh! Love!
If that doesn’t sum up Adam/Felicia/Guy Pearce’s character, then what does! 😉
PPPPS: Can you tell I’m going OTT as I want you all to do well?
Just a quick update for you…
Here is a revised and updated set of slides giving an overview of PQD. In particular, I’ve added an expanded slide on the GENRE conventions of the road movie which is recommended for revision.
As we discussed this morning, it’s important you remember the Society side of PQD… consider what came before it (Mad Max/Crocodile Dundee), and how it may have been received. (It is Media in Context, after all!)
Finally, it’s a PDF, so you should be able to click on the URLs to see the clips. 🙂
REPOST FOR YOU:
Here are Miss Robertson’s slides on PQD. I’ve changed the formatting slightly to give them a higher resolution (i.e.: easier to read the small print!) Any formatting mistakes are mine and mine alone!
PS: Remember there is a download link for the Powerpoint files at the bottom of this post… it includes all the URLs as clickable links.
ASK QUESTIONS if you are unsure of anything!
Here is my take on the revision questions I posted yesterday. I’ve filled in some ideas thoughts in the 4th column that should help you and point you in the right direction for adding more.
What I would highly recommend (i.e.: DO IT!) is picking specific scenes/sequences/shots to illustrate the various points made. Yes, it’ll mean a fair amount of work, but it’s what you are meant to do!
Enjoy… and here’s the file: