Institution (Waltz?)

Obscure prog rock reference aside, I’ve just had a query about Institution and PQD.

Most of the information you need is on the slides, but for clarity, the most important things to remember are:

Stamp PQD PriscillaCasting: Terence Stamp (Wikipedia, IMDB, Guardian interview) would have appealed to an international audience as the big ‘name’ in the cast.

Hugo Weaving, Guy Pearce and Bill Hunter would appeal to the home Australian audience… (Incidentally, click through on the links, especially Bill Hunter’s as it’s an interview from 1994 so fits in nicely with society… and also how casting can work)

Get the casting right, you pull in an audience, your film makes money… or more importantly, your message gains an audience…

Production: What would have been the challenges of producing PQD? Especially at that point in history and against the prevailing social background (fear of AIDS, homosexuality was still frowned upon, and so forth)… would it have been easy to get the necessary finance for the film without the likes of Stamp/Hunter on board?

Look at the respective credits for the two main producers, Al Clark and Michael Hamlyn. One has a background in drama (including the critically acclaimed adaptation of 1984), the other is known for music videos… how might these backgrounds have helped producing PQD?

The production companies involved include the New South Wales Film & Television Office who have a specific remit to promote film-making and as such help subsidise ‘edgier’ subject matter.

Marketing: Look again at the 5 posters for the film included in the slides… can you see how each is designed to appeal to a different audience (mostly through the choice of anchorage — either quotes form reviews, or specific blurbs). This is all part of creating a ‘buzz’ around the film, and so encouraging people to want to go and see it.

Finally… read this Guardian article about the 20th Anniversary of Priscilla. It contains this rather useful paragraph that neatly sums up PQD’s main message and why the film was so important:

“That’s just what his country needs,” Bernadette scoffs. “A cock in a frock on a rock.” And, actually, that was just what the country needed: an intelligent and entertaining Australian film that embraces LGBT culture without turning turning a quintessentially personal story into an exercise in outrage-pedalling and button-pushing.

Being realistic, Institution is unlikely to be the stem for Q1, but if you swot up on the above, you would be able to tackle it if it did. 🙂

PS: Don’t overlook the money

PPS: Check your spelling!

  • Stephan Elliott
  • The Adventures of Priscilla, Queen of the Desert (PQD)
  • 1994
  • Australia

PPPS: The aria is called Sempre Libera, it’s from Verdi’s La Traviata and the translation of the lyrics is as follows:

Free and aimless I frolic
From joy to joy,
Flowing along the surface
of life’s path as I please.
As the day is born,
Or as the day dies,
Happily I turn to the new delights
That make my spirit soar.

Love is a heartbeat throughout the universe,
mysterious, altering,
the torment and delight of my heart.

Oh! Oh! Love!
Madness! Euphoria!

If that doesn’t sum up Adam/Felicia/Guy Pearce’s character, then what does! 😉

PPPPS: Can you tell I’m going OTT as I want you all to do well?

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PQD Revised Slides

Just a quick update for you…

Here is a revised and updated set of slides giving an overview of PQD. In particular, I’ve added an expanded slide on the GENRE conventions of the road movie which is recommended for revision.

As we discussed this morning, it’s important you remember the Society side of PQD… consider what came before it (Mad Max/Crocodile Dundee), and how it may have been received. (It is Media in Context, after all!)

Finally, it’s a PDF, so you should be able to click on the URLs to see the clips. 🙂

Go on… click it! You know you want to! 😉

PQD REVISION SLIDES

REPOST FOR YOU:
Here are Miss Robertson’s slides on PQD. I’ve changed the formatting slightly to give them a higher resolution (i.e.: easier to read the small print!) Any formatting mistakes are mine and mine alone!

PS: Remember there is a download link for the Powerpoint files at the bottom of this post… it includes all the URLs as clickable links.
ASK QUESTIONS if you are unsure of anything!

PQD Overview (PPTX)

PQD Overview (Keynote File)

Priscilla Revision Part 2

Here is my take on the revision questions I posted yesterday. I’ve filled in some ideas thoughts in the 4th column that should help you and point you in the right direction for adding more.

What I would highly recommend (i.e.: DO IT!) is picking specific scenes/sequences/shots to illustrate the various points made. Yes, it’ll mean a fair amount of work, but it’s what you are meant to do!

Enjoy… and here’s the file:

PDF Icon
Click the icon to download!

 

Narrative/Genre

Clarification: Just to fix any unintentional confusion I may have caused… we can consider the narrative arc of PQD, in which case you are 100% correct in saying the film follows a journey narrative (arc). This is exactly as you have been taught my Miss R

PQD Overview.031

PQD Overview.032

PQD Overview.033This is distinct from Genre which is to do with the type of film/world in which the narrative is set. There are (of course) a few genres that PQD could sit in, but the one that has caused the potential confusion, is the genre of the road movie.

PQD Desert RoadMuch more to follow 😉

PQD Revision: Miss Robertson’s Slides

As promised, here are Miss Robertson’s slides on PQD. I’ve changed the formatting slightly to give them a higher resolution (i.e.: easier to read the small print!) Any formatting mistakes are mine and mine alone! I’ll post my own slides on codes and conventions over the next few days… ASK QUESTIONS if you are unsure of anything!

PQD Overview (PPTX)

PQD Overview (Keynote File)